Flatfive substitution tritone another kind of chord substitution which is often used in pop and jazz music is know as flatfive substitution. Use features like bookmarks, note taking and highlighting while reading creative chord substitution for jazz guitar. But when the iii replaces the i, it becomes emin7amin7dmin7g7. For any 7b9 chord, substitute a diminished chord built one halfstep up. The first substitution you will come across as a jazz musician will likely be tritone substitution. The first of each pair of arrangements tends to follow the standard harmony, but with very hip chord substitutions and voicings. Jazz blues chord substitutions guide jamie holroyd guitar. Reharmonization is just chord substitution but for an entire chord progression. The key signature just lets you know what key the song is based in, but you may find other notes that are foreign to the key. Ive been playing guitar for around 30 years but only started using thumb chords last year. Chord substitution jazz piano course how to reharmonise. Abstract reharmonization, also know as chord substitution, is one of the eternal subjects in personalizing the thousands of standard tunes and originals played by working jazz musicians and amateurs all over the world. This technique is based on the fact that the third and seventh degrees of a. Sep 19, 2019 the g chord has been changed to a g7 gbdfwhich builds extra tension by adding another note that wants to resolve a half step into the c chord.
A diatonic chord substitution occurs when using different notes within a scale. In general, you can make whats called a tritone substitution on any dominant chord i. Chord substitution is the term used to describe the procedure to replace, add or change a chord in a chord progression chord substitution is used to change an existing chord progression to create a new or different harmony. When reharmonizing a chord progression its important to keep an eye on the relationship between the chords and the melody. How to reharmonize a song reharmonization the jazz. The theories of advanced harmony discussed here will enable any guitarist to have, at his fingertips, seemingly endless possibilities of chordal color possibilities that will take him far. Chord substitution chord substitution refers to the art of changing andor adding chords to a progression in order to create harmony that is different and more interesting. Creative chord substitution for jazz guitar explains the technique of chord substitution as a tool to expand and vary existing harmonic progressions. Chord progressions and substitutions jazz reharmonization. Staying with the progression of c, am, f and g what other chords share the notes of the am chord.
In this video, i am going to show you some of the great sounding chord progressions you can make using maj7 chords in chord substitution, and later in the video, i am going to show you how changing one note in the voicing gives you a lot more beautiful sounds. We will show each method separately, because each approach is extensive. A few dom7th substitutions tritones and diminished chords. Below is an example of some of the chords in the key of c major that are inversions of each other and can usually be used interchangeably. Reharmonization techniques add new life to old songs and. Chord substitutions sound scary, because we hear people talk about things like ah yes, the quintessential tritone substitution with the dominant seventh over a flat fifth blah blah blah.
Reharmonization techniques online course berklee online. This chord substitution for dominant 7th chords is very useful in a jazz setting when soloing or playing rhythm because both chords share many common tones. This substitution is made by replacing a dominant chord with a new dominant chord whose root is a diminished fifth interval above the. Again, rather than start with the traditional g chord, were going to start preparing for the final g by inserting our dominant prep chord am. Its important to note that in this example the vi chord has been made into a dominant 7 chord vi. Jun 16, 2017 the common chord progression you will see this happen in is the iviiiv. But how do you do that without losing the underlying structure of the progression. The iii makes a nice transition chord between the i and iv and between the i and v.
C, am, f and g to our new progression of c, a, f and g. In short, every key has primary chords built off the 1st, 4th, and 5th tones of the scale. Feb 24, 2017 simple progressions are great, but you know whats even better. One of the most common techniques in jazz reharmonization is the use of substitute chords, through a technique known as tritone substitution.
Omitting the chord root gives the music a less predictable and contemporary quality. In this lesson the underlying theory and practice of reharmonization. Jazz chord substitution theory and applications we all get bored of the same thing if we have too much of it. The f7 line is using the f7 arpeggio that resolves to d. Besides acting as a substitution for the i chord, the iii chord also belongs to a iiv. Reharmonization techniques using mapping tonal harmony pro. A great part of the blues progression to apply this technique to is bar 7. I touched on primary chords and chord substitutions in this post last week, but today, i want to take it a step further. Modern chord voicings and chord substitutions use pluralities built on the chord s 3rd. With the substitution of chord with the same harmonic function.
This method is simply using a chord from a given key diatonic in place of another chord in that key with the same harmonic function substitution. A common substitute in jazz is replacing the i chord bb in this case with its iii d7. In this example a bdim replaces the g7 which is the chord on the 3rd of a g7b9. In tritone substitution, a dominant chord is replaced by another dominant chord a tritone above its tonic. The key signature and melody of any song dictates what chords can be used. Through previous lessons it has become clear that a scale or mode and the scaletone chord built on the tonic of that scale are closely related. The common i vi ii v substitution of replacing the i chord with a iii is used in the penultimate bar to create cyclic bass movement and a full minor ii v i.
Reharmonization, substitutions, and counterlines 12 preceding \7 with iv instead of ii7 page 2 14 now moving the bass a bit or 16 harmonized counterline using the 12 step approach principle try adding a iivl bass to the last 2 examples. A substitution is just replacing one thing with another thing. By karen daniels simply put, chord substitution is the use of one chord in place of another chord and using them is one way to give your music interest and a change in sound. Substituting chords by karen daniels simply put, chord substitution is the use of one chord in place of another chord and using them is one way to give your music interest and a change in sound. The general chord substitution rule holds that chords that share two or more notes in common can be readily substituted for each other money chords. Mark watkins received his degrees from brigham young university and indiana university and has studied with eugene rousseau, daniel deffayet, ray. The easiest chord that comes to mind is the a major chord. I recommend you go check out that post on primary chords as a primer to this lesson. How you use chord substitution for new lines jens larsen. Relative majorminor reharmonization can produce a very different result than reharmonizing only with diatonic chords. E c major 7 with an e in the bass, known as a slash chord and the c6. How to substitute chords from the same harmonic function. This means that we can now convert our progression from.
If you were to eat vanilla ice cream every day for a year, not only would you gain weight and considerably so you would also quickly tire of the flavor. Its the most natural form of chord substitution because no note alterations take place. Substituting chromatic chords within the iii vi ii v i progression for the sake of variety, coloration and creativity, composers or even players substitute chromatic chords chords that have one or more notes not in the key signature of the song. Simple progressions are great, but you know whats even better. By the way, we could even take this chord progression an extra step further by adding a a chord substitution for the iv degree the second degree. The g chord has been changed to a g7 gbdfwhich builds extra tension by adding another note that wants to resolve a half step into the c chord. The two intervals to avoid when substituting chords are b9s and tritone. They are in fact two different expressions of the same tonality the scale is a horizontal expression, the chord a vertical expression of that tonality the complete chord contains, like. Note we still maintain a progression of 5ths, starting with the bbmaj7. Mark watkins received his degrees from brigham young university and indiana university and has studied with eugene rousseau, daniel deffayet, ray smith, and yushi ishiwata and jazz with david baker. It could be replaced under the right conditions with an e7b5. One of the most important aspects after creativity in creating harmonies and harmonic embellishments is the level of proficiency one possesses in tonal harmony. A form of 4 part counterpoint 7th position counterpoint is not heard as such unless the lines have different rhythmic figures, or at least different melodic curves. Since the chords in the new tonal center are relative chords, the melody for the most part will work over any other chord in the new scale.
Here we use a gdim7 which is another diminished passing chord leading us to a g chord. This also tells me that any time we have a minor chord, we can substitute it for its major chord. In this example, then, a soloist might solo over the ii and the v portion of the progression fm7 and bb7 using more conventional. Common reharmonization techniques engaging students. Depending on the note in the melody, swapping out the chord could create some unwanted dissonances that detract from the point of the substitution. This chord progression is very pleasant to the ear since its consequently moving down in thirds which makes it clearer in the ear of the listener. This technique is based on the fact that the third and seventh degrees of a dominant chord are enharmonically the same as the seventh and third degrees of the dominant chord a tritone away. The course begins with an historical overview of reharmonization techniques and moves quickly into using basic substitution techniques e.
This strategy summarizes itself in a replacement of a chord for another one with the same harmonic function of it. Again, a soloist or comper using this sound on a major seventh chord in the context of, for example, a ii v i progression in the key of eb would usually only switch to the sound over the i chord. This can be applied to any 251 progression and achieves a smooth. For example, over a c7 chord i can play or solo using an em7b5 chord. Two common devices are substitution are using tritone substitutes and diminished chords. Reharmonization techniques using mapping tonal harmony pro harmonizing and reharmonizing a melody is an essential skill for performers, jazz players, arrangers and composers. Now we will consider another resource of reharmonization. Learn unlimited ways to harmonize melody lines and progressions jazz masters series kindle edition by arkin, eddie. That is not to say that every tune should have 20 chords in the first measure. Coltrane changes coltrane matrix or cycle, also known as chromatic third relations and multitonic changes are a harmonic progression variation using substitute chords over common jazz chord progressions. This lesson, however, will focus on substitution of minor and major chords. Feb 17, 2014 this video describes several techniques for reharmonizing melodies using chord substitution. This is a common practice in jazz and creates more voice leading.
The following chord substitutions work in a variety of. November 2009 edited november 2009 in gypsy jazz 101 posts. Another use is working in songs that are well known. Another kind of chord substitution is accomplished by rearranging the notes of a chord to produce a new chord. This means that the root is omitted, but both essential tones, the 3 and 7, are present in the chord. Reharmonizations and substitutions 7th chords and scale harmonization reharmonizing. While the vi chord in major keys is also a minor 7th chord, it is not subjected to this substitution. A basic rule of thumb when substituting chords is that a chord can be substituted for another if the chords has at least two notes in common. Before starting the following exercise, it is assumed that you already understand extension. Chord substitution reharmonization simplifying theory. Many chord substitutions are available suspended, diminished 7 th, etc. Download it once and read it on your kindle device, pc, phones or tablets. It is interesting that you think in extension notes considering this. Lets look at the next two measures for another trick and continue the principles.
The three basic functions of a harmonic progression are tonic, subdominant and dominant. It refers to the technique of sliding a chord or chord tone up or down, either chromatically or a tritone apart, maintaining the shape and voicing of the chord, at times resolving to the original chord. For example, in the key of c major, the iii chord is an e7. The second arrangement of each pair totally reconceives the harmonic structure of the tune, offering the reader the opportunity to hear some really exciting harmonic possibilities for otherwise pretty runofthemill. I hope that you enjoy playing through each of the examples and that they provide you with some fresh ideas to spice up your solo jazz guitar playing.
Here we use a gdim7 which is another diminished passing chord leading us. Reharmonization and back cycling for chord melody playing. As mentioned before, this substitution can also take place with the ii chord. Reharmonizing the melody is where it gets interesting. Learning jazz reharmonization techniques is not only a great way to develop jazz comping skills but it also expands application of jazz substitutions and superimpositions reharmonization techniques are often required for solo jazz guitar arrangements to create interest, interpretation and originality. Chord substitutions secrets to chord substitutions. This video describes several techniques for reharmonizing melodies using chord substitution. In the key of g, that means substituting a bm for a g. Within the diatonic chord family see this intro lesson on chord progressions, another good substitution to try is the iii for the i. From the c chord, instead of using our usual couple chord of dm to harmonise the little triplet run, we jump up to an fmaj7 so that the melody is the 7th of the chord, then just walk it down to an em7 and dm7. In this article ill discuss the first stage of reharmonization, diatonic substitution.